The Critical Conversations series provides four opportunities across the second half of 2021 for a discussion on critical artistic themes amongst peers – local, national, international members of the dance community and the public.
Three sessions will be curated by ADT, and one session is open to individuals and collectives to nominate a theme or idea they wish to discuss and explore with others. All sessions are free to attend and will take place at ADT’s home, The Odeon in Norwood, Adelaide.
To read about previous sessions, please visit this page.
8 July 2021
Title: First Nations Women’s Embodied Performance Practices
Presented by ADT’s International Centre for Choreography with Adrianne Semmens, ADT’s 2021 Associate Artist, as part of NAIDOC Week
This NAIDOC Week, a panel of First Nations practitioners will gather at The Odeon to speak on their practices and recent work. The panel – from dance, theatre, community arts and activism arts – have been invited to engage in a conversation about their processes, practices, collaboration, core values and critical issues. The panel includes Nikki Ashby, Gina Rings, Caleena Sansbury and Adrianne Semmens.
To register to attend this free event, please RSVP to firstname.lastname@example.org.
Nikki Ashby has been producing dance and theatre works across Australia for 30 years. A stage and screen actor, producer, director and choreographer, Nikki danced with Bangarra Dance Theatre in Unaipon, and I Am Eora for its world premiere at the Sydney Festival. Highlights from Nikki’s career include working with Djuki Mala, co-hosting Move It Mob Style on NITV and ABC 3, choreographing productions for Ilbijerri Theatre and Kurruru Performing Arts, and working with D’faces of youth arts in Whyalla, Riverland Youth Theatre in Renmark and State Opera South Australia. Nikki directed and choreographed the emerging dance group Of Desert and Sea Dance for its production of Beautiful, which premiered at Tarnanthi and was performed most recently at the 2020 Adelaide Fringe.
Artistic Director of the South Australian First Nations Dance Collective (SAFNDC), Gina comes from the Kokatha people of the West Coast of South Australia. Gina has been involved in the arts for more than 25 years, starting with a traineeship with Bangarra in 1994. Recently, Gina created the solo work Unconscious Bias for The World’s Smallest Stage project in 2020 (in partnership with ADT). In 2021, Gina worked closely with Diana Sautell as a co-producer and creative director on the collaborative work Inma, featuring Electric Fields, Iwiri and the SAFNDC, which was awarded ‘Pick of the Fringe’ at the 2020 Adelaide Fringe.
Passionate about creating change for the arts, Caleena feels it’s urgent and necessary to form movements such as Arts Front in NSW, to connect with like-minded people in the industry to ensure that art is maintained and looked at as an opportunity of high importance. Caleena graduated from NAISDA in 2013. Since then, she has continued to work in the arts, performing with various choreographers and companies, including Vicki Van Hout, Thomas E. S. Kelly, Karul Projects, Insite Arts and Vitalstatistix.
Adrianne Semmens is a dance practitioner with experience working across the arts, education and community sectors. Adrianne is a descendant of the Barkindji People of western NSW and a graduate of NAISDA Dance College and Adelaide College of the Arts. As ADT’s 2021 Associate Artist, Adrianne will discuss Immerse, her recent work created as part of ADT’s world premiere season of Convergence in 2021, in which identity and place – recurring themes within Adrianne’s practice – are examined and explored.
13 November 2021
Title: Queer Arts Performance as Resistance
Queer Arts Performance as Resistance is a round table conversation presented in partnership with FEAST, Adelaide’s Queer arts and culture festival. Among others, the panel will include Mathew Bergan, the director of Dancing Warrior Yoga (Sydney), speaking on Queer identity and healing.
Main image above left (c) Sven Kovac